Challenges and Excitement: Finding a Project that Moves Me

Sometimes you really need to take a break, and the more complete the break is, the better. A break can serve as a vacation from the daily grind, but can also serve as a time for reflection and upon occasion that reflection can possibly lead to an epiphany of sorts. I have found that on the occasions where I have taken a break from playing I often come to a realization about the direction I am heading in, particularly when I’ve had a pervading sense of dissatisfaction. I find that during these breaks I’m more likely to listen to music and find sources of inspiration that I hadn’t either permitted myself to think about or encounter. These are mostly small realizations that might spark a subtle shift in direction. Other times they might lead to a larger train of thought. Once in a long time there is that moment, the moment when the lights turn of and I become aware of something that really needs to change, something that simply can’t keep going the way it has been and I’m not certain how I’ve permitted the situation to get to where it is.

I have a full plate right now insofar as musical projects since I’m currently committed to four projects. In order to get a somewhat reasonable performance schedule, mostly motivated by making money I am working with three groups as a bass player and one as a guitarist. Two of these are blues rock and the other two are more classic rock and a variety of other things. None of these projects is really making me stretch as a musician. I get the chord charts together, do a minimal amount of woodshedding and hit the rehearsals, then the gigs, then do it over again. Occasionally there will be a gig that comes up that is something that I look forward to, once in a long while one that I’m excited about, but more often than not I’m not too excited about any of it.

What this tells me is that I need to find/create a project that does excite me and that provides a fairly frequent challenging aspect to it as well. This is usually what I can recognize. The real difficulty is identifying exactly what the project should be. I like performing in groups more than I like performing solo, but I’m beginning to think that I might need to take a better look at solo work. Over this break I heard an interesting live album by Ferenc Snetberger, a European guitarist who kind of falls between the cracks when it comes to classification. Snetberger was performing for a quite large audience on the recording, playing solo classical guitar. There was a series of eight pieces titled Budapest, and then a really nice arrangement of “Somewhere Over the Rainbow” that was quite interesting. The recording was such that I wasn’t exactly certain if everything was written, or if he was improvising sections quite masterfully.

I think that I’m going to explore this type of approach and see what I can do with it. I am drawn to fingerstyle guitar anyway, have a background in classical music, albeit some time ago, and am also drawn to improvisational music. This would definitely provide a challenge, and could possibly include some ensemble work that could be quite interesting as well. I’m really a between the cracks kind of guy myself when it comes to my guitar playing at least, so in many ways, the more I think about it the more it makes sense to start moving in this direction. I don’t necessarily need to quit anything that I’m doing at this point in order to start moving forward with it, but I will need to budget my time very carefully, particularly now that I’m also committed to teaching a couple of English composition courses this Spring.

Still, I find the prospect of doing this to be somewhat stimulating, but once again I am not getting a burst of excitement in anticipation of starting to move in this direction so perhaps I need to consider my options some more. Then again, I don’t really get excited about much in life when it comes down to it. I don’t know if this is directly related to my depressive disorder, the medicinal treatment for it, or simply part of my personality, which would actually be a bit on the sad side of things. It does feel like a somewhat comfortable approach, which might indicate that it may be a bit difficult for me to really dig into and get going. Perhaps the ensemble approach should come first. At least I have an idea this time, so I’m one step further into the game.


One thought on “Challenges and Excitement: Finding a Project that Moves Me

  1. I hope that your general lack of excitability is a personality trait. I’m like that myself, although I am known to get excited by food. Being neutral isn’t necessarily a drawback. It could indicate that you’re strongly even-tempered or open up more readily around certain company, like close friends and family.

    Regarding your solo playing direction – it sounds like it might be a good fit for you. The excitability might not come right away because its still conceptual. Maybe once you’re more in the process, composing and crafting, you’ll find more enjoyment. I think, based on your other posts, that the entire production, including the promotional side, is going to give you a lot to occupy yourself with. I wonder if it might actually prove more challenging than the compositional side.


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